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      <image:title>Oil Paintings - Freedom</image:title>
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      <image:title>Oil Paintings - The Drunken Beauty</image:title>
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      <image:title>Oil Paintings - Flower Child</image:title>
      <image:caption>I met a child in a dream. He walked barefoot along a road of flowers, and I did my best to follow. With each step he took, blossoms began to unfurl from his body—his arms first, then his legs, then his eyes, until even his heart bloomed into petals. The flowers were bright red. He left no footprints behind, only a trail of blossoms. Each flower pulsed between loss and rebirth, memory and becoming. Before he vanished, the child turned to me and said, “You become the road you travel.” And then he was gone—his body dissolved into the field. All that remained was a new road, lined with new flowers, and me as the next traveler.</image:caption>
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      <image:title>Oil Paintings - Outlining a Heart</image:title>
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      <image:title>Oil Paintings - The Aleph</image:title>
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      <image:title>Oil Paintings - Don't Look Back</image:title>
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      <image:title>Oil Paintings - Imperfection</image:title>
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      <image:title>Oil Paintings - How to Be a God</image:title>
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      <image:title>Oil Paintings - No Me</image:title>
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      <image:title>Oil Paintings - Seventeen - Nayuta</image:title>
      <image:caption>Lotuses have a beautiful meaning in Buddhism – it is where the cause and the effect co-exist. The pedals and the seeds are present at the same instant, symbolizing how one’s labor’s results can be immediately visible. It is the ideal state that I long to be in. Yet, “Nayuta” in Buddhism refers to the furthest distance possible between two objects. The distance between me and my ideals constantly felt like nayuta during my seventeenth year, but I kept striving – because even if nayuta is a long distance, it’s not impossible to cross.</image:caption>
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      <image:title>Oil Paintings - "I Don't Know"</image:title>
      <image:caption>Being a creator means being on an endless search for inspiration. The position in this painting of reaching upwards for inspiration was one I’ve held myself in countless times, sometimes at my desk, sometimes in the shower, sometimes in my bed, sometimes on the streets… But in fact, what I seek lies not above me, but within me. Sometimes I am so deeply lost in that endless reach for inspiration that I forget what I have. The best ideas come from within.</image:caption>
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      <image:title>Oil Paintings - Hope and Legacy</image:title>
      <image:caption>“Whalefall” is used to describe the process of a whale’s death and the resulting habitat it creates for other animals. In its ultimate fall, the whale’s legacy lives on in the small fish his body supports; his pain inspires hope. In its ambiguous position as shown in the painting, one might mistake the whale for living, and think he is striving upwards, like the other fish his death has inspired.</image:caption>
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      <image:title>Oil Paintings - Friendship of Young Poets</image:title>
      <image:caption>I’ve never had a poet friend. Two ancient Chinese poets I admire, Li Bai and Du Fu, however, shared such a friendship. The phoenix, which, in Confucious philosophy, symbolizes sacrificing your life for society’s betterment, represents Du Fu. The hawk symbolizes the Tao philosophy that promotes the freedom and betterment of self – a perfect representation of Li Bai. I find more resemblance between myself and Li Bai; hence the hawk is drawn realistically. The phoenix’s qualities are ones that I lack and hope to find in a friend, which is why it is drawn in a more abstract style.</image:caption>
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      <image:title>Oil Paintings - Apolo and Daphane</image:title>
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      <image:title>Oil Paintings - An Invitation</image:title>
      <image:caption>The beautiful peacock of Hera, the vain Narcissus, the prideful spider of Arachne, the watchful Argus, the unbending the phoenix, the compassionate lotus … All these myths form my thoughts and emotions. Yet these emotions are too uncontrollable to be let out into the world easily. I turn away from the magical to focus on my desk and my reality. Yet the creature constantly offers me an invitation to release it into the world for others to see. Sometimes, I do accept the invitation and when I do, there is light.</image:caption>
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      <image:title>Oil Paintings - Sixteen</image:title>
      <image:caption>In Midnight’s Children, the narrator pickles thirty years in words and in flavours, preserving his memories. Here in this painting, each picklingjar stands for for one year of my life. However, unlike the narrator, who reserves an empty jar for the future, I want to break the jar altogether and replace it with a splash of water. I want total freedom and possibility. The label on the splash of water is falling off, its strings broken. Jar-less, label-less - that is how I want to live when I am seventeen.</image:caption>
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      <image:title>Oil Paintings - Tragicomedy</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68f523acd4024157e85ca4f2/1768777363638-FHR9XMT1SRT0ZAD6HQ02/Screenshot+2026-01-18+at+5.01.55%E2%80%AFPM.png</image:loc>
      <image:title>Oil Paintings - Iris</image:title>
      <image:caption>This is the painting I created for the cover of our school magazine IRIS. “Iris” is the goddess of the rainbow and messenger of the gods, representing our mission of promoting our best works to a wider audience as well as embracing diversity. The “iris” is also a flower that represents wisdom. And of course, it is also a structure in the eye, representing vision and insight.</image:caption>
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      <image:title>Oil Paintings - The Legend of Oisin</image:title>
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      <image:title>Oil Paintings - Fifteen</image:title>
      <image:caption>Wanting to play with anxieties on the canvas, I piled large mounds of paint in the background and smudged them together with the edge of a knife, just as I handled my emotions when I was fifteen. The emotions of a fifteen-year-old burst forth in a cascade of emojis. The standardized faces smiled back at me, telling me that experiences are all universal. Somewhere out there, another fifteen-year-old girl is using the same emojis to hide, and is ripping open the curtains of the world in the exact same way I did.</image:caption>
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      <image:title>Oil Paintings - Lunatic</image:title>
      <image:caption>As “sane” people, we have the right to condemn and label others who are different– the one who behaves, looks, thinks, or feels unlike us. Lu Xun, a critical writer in 20th century China, loves portraying Lunatics in his critique of Chinese imperialist ideologies. In his short story A Madman’s Diary, the lunatics are in fact the cleverest of people who realize the dark truth about imperialist societal ideologies. Because of their realization, society silenced them by labeling them as lunatics. The head of the person is replaced with changing phases of the moon, and chains and bondage cover the person’s body. Society imposes restrictions upon “lunatics”, trying to stifle the lunatics inside us.</image:caption>
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